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Bazooka 3:180:00/3:18
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1992 Hooters 500 2:490:00/2:49
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Jane Fonda 3:260:00/3:26
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Want It Bad 3:490:00/3:49
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Motorbike 3:410:00/3:41
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Sally 3:490:00/3:49
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I'm A Vibe 3:120:00/3:12
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Midnight Man 3:130:00/3:13
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0:00/3:59
BAZOOKA
Everybody better get out the way!
Click. BOOM.
Lombardy’s new single, “Bazooka,” is locked, loaded, and ready to blow the speakers wide open.
Fueled by distorted guitars, relentless energy, and enough firepower to level a city block, “Bazooka” charges headfirst into the battlefield of love, lust, passion, and deception. Packed with war-torn imagery and rocket-fueled chaos, the song draws a line between romance, combat, and honestly, the comparison might be closer than we’d like to admit...
Get down. Brace for impact.
“Bazooka” arrives in the middle of a massive year for the Nashville rock band. After touring throughout 2026, Lombardy will make their Ryman Auditorium debut on September 27, opening for Starbomb at Nashville’s legendary venue.
“Bazooka” is here. You’ve been warned.
Catch A Buzz, Not The Fuzz
Our debut album is out now!
A true cult classic has a few essentials: action, romance, a little cheese, and a coming-of-age arc, but what really makes it last is DIY spirit, bad attitude, and a refusal to fit the mold.
Lombardy channel all of that on Catch A Buzz, Not The Fuzz. It plays like a late night VHS marathon, popcorn in hand, tape rolling, a faint “Warning…” before the chaos begins. The opener, Warm-Up Lap, throws you straight into the driver’s seat, revving into a high-speed ride of heavy riffs and relentless energy.
Tracks like Motorbike and Jane Fonda capture life as creators in a fast moving city chasing cheap thrills, dodging boredom (and maybe the cops), and finding meaning in the in-between. Mike Scott’s snarling vocals hit like screeching tires, loud, urgent, impossible to ignore.
Jonathan Plevyak shifts the tone with I’m A Vibe, a loose, self-assured anthem, alongside Back To You and Venice Beach 1989, both steeped in longing and distance. Seth Rentfrow steps forward on Sexify, a gritty, tongue-in-cheek moment that leans all the way in.
The album closes with Goodbye (Get High), a hazy comedown, reflective and raw. It’s the bonfire after the burnout.
Catch A Buzz, Not The Fuzz is a ride you don’t just finish, you rewind it, replay it, and pass it around like a hidden gem you found at the bottom of the bin.
